• The Slackers

    Annual New York City Holiday Concert

    The Slackers

    The Frightnrs, Full Watts, DJ John Glenn Soundsystem

    Sat, December 17, 2016

    Doors: 8:00 pm / Show: 9:00 pm

    The Bell House

    Brooklyn, New York

    $20.00

    This event is 21 and over

    The Slackers
    The Slackers
    The Slackers are the self styled masters of ska, reggae, soul, and rock n roll and are from New York City.

    The Slackers started playing in 1991. After several years of local gigs around NYC and rehearsals in a dingy basement on 3rd street on the lower east side, the band released a debut album, Better Late Than Never, in 1996. The success of their debut album led to a signing by Epitaph records and the release of their 2nd album, Red Light. Since Red Light, the Slackers have released 10 more studio albums (The Question, Wasted Days, Slackers & Friends, Close My Eyes, Slackers in Dub, Peculiar, Boss Harmony Sessions, Self Medication, Lost and Found, The Great Rocksteady Swindle) 3 live albums (Live at Ernestos, Upsettin Ernestos, Slack in Japan), plus numerous EPs, singles,and compilation tracks.

    The release of Red Light in 1997 started the slackers off a series of worldwide tours which have continued up through the present day. The slackers have played over 100 shows a year, every year, since 1997. They have played in 46 american states, 7 canadian provinces, 22 european countries, 5 latin american countries, and 2 asian countries.

    The Slackers musical style is distinct from most of their contempories in that it is a mix of roots Jamaican ska, reggae, and rocksteady, anglo-american 60s garage rock and psychedelia, classic soul and RnB, and occasional touches of Jazz and Latin music. Bandleader Vic Ruggiero has coined this style, ‘Jamaican Rock’nRoll.’ You can hear the old ska in the bands style but its sung with distinctly American accents.

    With the demise of record companies over the last 5 years, the Slackers have started using fundraisers as a device to release new music. The band is currently working on finishing a new studio album and has completed a successful fundraiser at www.bigtun.es/theslackers. The next album should be ready for general release in February 2016.
    The Frightnrs
    The Frightnrs
    Set to be released on September 2 nd , The Frightnrs first full length LP for Daptone Records, “Nothing Left to Say,” is a testament. It is a testament to the belief that the classic sound of Jamaican Rocksteady, when treated with the utmost respect and devotion, can be reimagined to speak to a new generation. It is a testament to the powerful forces that can be unleashed when a strong aesthetic is pursued through the relationship of a band, a record label and a producer. And finally it is a testament to the creative genius, as both songwriter and vocalist, of Frightnrs Lead Singer, Dan Klein who passed away in June 2016 after being diagnosed with ALS in November of 2015.

    The Frightnrs “Nothing More To Say” is a true collaboration between the band, black belt producer and arranger Victor Axelrod aka Ticklah and Daptone Records. In 2015, Daptone released the Frightnrs cover version of the Etta James classic “I’d Rather Go Blind” to great acclaim. The single stayed true to the soulful roots of Jamaican Rocksteady (a revered genre that famously appeared in Jamaica in 1967 and had petered out by late 1968 yielding some of the greatest Jamaican music ever made) while imbuing the genre with a crisp energy that casts away any overtures to imitation or nostalgia. Daptone had long wanted to make a full length Rocksteady LP with Victor Axelrod at the helm and The Frightnrs were the band to do it. “Rocksteady was the first style of Jamaican music that Dan and me fell in love with,” explains Frightnrs keyboardist Chuck Patel, “and the idea of making a classic album for a classic label like Daptone was a dream come true.”

    The band immediately set to work, writing and playing every day, and coming up with some of the most beautiful and complex songs they had ever done. Working within Daptone’s time frame and the constraints of crafting only rocksteady tunes, forced the Frightnrs to display a singular focus to great benefit. As Victor Axelrod says “The fact that the direction of the album was determined by it being a DAPTONE record was crucial. We wanted to make a solid and cohesive record and so chose songs that most fit the Daptone aesthetic and the result was the best music that Dan and the Frightnrs had ever made with truly expanded levels of creativity.”

    When they hit the studio with Victor, the songs that make up “Nothing More to Say” began to flow. With the exception of two soul covers (both from the Daptone catalog: Bob & Gene’s “Gotta Find a Way” and Saun and Starr’s “Gonna Make Time”,) the record is populated by original compositions of the highest order. They are simply great songs, and though the songs stick to the rocksteady sound, each one of them has the melodic and lyrical substance to hold it’s own in any genre. “Till Then” invokes the coquettish hyper-rhymes of top-form Smokey Robinson, while “Hey Brother” sounds like it fell off the desk of Gamble and Huff, and “Purple” defies any comparison at all. From the first cracking snares of “All My Tears” through the final pulsing echoes of “Dispute,” the murderous rhythms of Rich Terrana (drums,) and brothers Preet and Chuck Patel (bass and piano, respectively) can be heard chunking mercilessly towards oblivion as Dan Klein pours his endearing poetry over the top like some other-worldly falsetto potion. The combination is a sound birthday-suit raw -- mesmerizing, infectious, and above all, lovely. This record will long be treasured by lovers of Jamaican music, lovers of soul and anyone who has ever loved the bittersweet pain of being in love. The Frightnrs were formed in 2010 in the borough of Queens – far beyond the gilded wealth of Manhattan and the pretentious hipsterdom of Brooklyn. The four piece ensemble took the cooled out vintage vibes of Jamaican rock steady, combined it with the raw energy and vocal stylings of 80s Rub A Dub and added a touch of punk rock spirit to create an entirely unique sound that redefines what a reggae band can sound like. For the past seven years, The Frightnrs have been one of the hardest working bands in New York, crafting their live set and developing their sound in the DIY underground of NYC reggae and its mosh up of live bands and sound system culture. Their hard work paid off as The Frightnrs debut release garnered attention and airplay from reggae / radio legend David “Ram Jam” Rodigan and Mad Decent’s Diplo, who released a Frightnrs EP on his Mad Decent imprint in the Summer of 2015. With “Nothing More to Say,” being released in September 2016, The Frightnrs have issued a brilliant final testament to their late lead singer Dan Klein, and will continue to go forward, representing the sound of now standing firm on the traditions of the past.
    Full Watts
    Full Watts
    The Full Watts Band is a New York City-based family of musicians who aim to preserve and celebrate the music of ska, rocksteady and reggae produced on the island of Jamaica from the mid-60s through the mid-80s.

    Throughout these years, the Jamaican music industry has produced hit after hit at a phenomenally high rate, all while cultivating a prolific moment in musical history where virtually every individual, whether lead singer or session musician, would infuse their own personal mark on the music, contributing to its many styles.

    This inspiring library of recordings is the pool from which our repertoire is curated. Immaculate and soulful tunes like Queen of the Minstrels, Girl, I’ve Got a Date, Perfidia and Love You Forever originally recorded by The Eternals, Alton Ellis, Marcia Griffiths and Carlton and the Shoes make up just some of the choice selections performed by the Full Watts Band.

    Our 10-piece ensemble is comprised of a trio of singers dedicated to 3-part harmony, lead and rhythm guitars, keys/organ, drums, bass and horns. All members have spent years appreciating this beautiful music through listening, playing and seeing our legends perform in concert. Because the music is purely Jamaican and created by those who which we owe all praises and dedication, it is the ambition of the Full Watts Band that our performances are a fulfillment of love, humility and gratitude for a music that continues to inspire and move hearts and souls of all people across the world.
    Venue Information:
    The Bell House
    149 7th Street
    Brooklyn, New York, 11215
    http://www.thebellhouseny.com/