Josh Rouse

Josh Rouse

Kate Davis

Friday · May 11, 2018

Doors: 7:00 pm / Show: 8:00 pm

$20.00

Tickets at the Door

This event is 21 and over

Josh Rouse
Josh Rouse
“Like a baseball player who quietly hits 30 home runs every year or a golfer who regularly finishes in the Top Ten, Josh Rouse's continued streak of excellence is easy to ignore and maybe even downplay a little” -- Tim Sendra, Allmusic.com

You don’t have to work hard to enjoy Rouse’s music. His songs present themselves to you with an open heart, an innate intelligence and an absolute lack of pretension. They are clear-eyed, empathetic and penetrating. Without pandering, they seek to satisfy both your ear and your understanding. The verses draw you in with telling detail, both musical and thematic, and the choruses lift and deliver. They resolve without seeming overly tidy or pat.

Josh Rouse was born in Nebraska, and following an itinerant upbringing he eventually landed in Nashville where he recorded his debut Dressed Like Nebraska (1998). The album’s acclaim led to tours with Aimee Mann, Mark Etzel and the late Vic Chestnut. The followup- Home (2000)—yielded the song “Directions” which Cameron Crowe used in his film Vanilla Sky.

“Every time I’ve made a record, I’ve tried to make it different from the last one,” says Rouse. “I always became fascinated by a different style of music. But at the end of the day, no matter how eclectic I try to make it, it’s my voice and melodic sensibility that tie things together.”

For his breakthrough album, 1972 (2003), which happens to be the year he was born, Rouse decided to cheer up a bit. Noting that he’d earned a reputation for melancholy, he says, with a laugh, “I figured this is my career, I might as well try to enjoy it.” While the Seventies are often identified with singer-songwriters, Rouse was primarily attracted to the warmer sound of albums back then, as well as the more communal feel of the soul music of that time. The follow up, Nashville (2005) continued the hot streak and expanded his audience further.

After relocating to Valencia, Spain with his wife Paz, Rouse has released a steady stream of high quality songs and albums. Subtitulo (2006) contained the international indie folk hit "Quiet Town". On El Turista (2010) he even experimented with writing and singing some songs in Spanish. In 2014, he won a Goya Award (the Spanish equivalent of an Oscar) for best song for "Do You Really Want To Be In Love," from the film 'La Gran Familia Española.'

His most recent release, The Embers of Time, was one of his strongest—self-described as “my surreal, ex-pat, therapy record.” Charles Pitter astutely noted in Pop Matters. “The critics may long for drama and scandal, but The Embers of Time often demonstrates that a simple life could be for the best.”
Kate Davis
Kate Davis
The music of multi-instrumentalist and singer Kate Davis has been turning heads in New York’s music scene since 2012. Whether she’s crooning rootsy ballads or plucking bright riffs from her bass, the gutsy songstress from Portland, Oregon, puts a fresh spin on the standards and brings a canonical sensibility to her own lush tracks.

Lauded by MTV as one of 2014’s “15 Fresh Females Who Will Rule Pop,” Kate grew up with an instrument in her arms and a head full of inventive lyrics. Her lifelong training makes for smart, warm pop that’s as musically nuanced as it is addictive. If you put a mid-career Jenny Lewis album in a room with Regina Spektor’s coloring, Joanna Newsom’s lyric poetry, and a dose of Tina Fey’s sharp wit—then added a couple decades of rigorous musical education—Kate Davis might come strolling out.

Vivid, nostalgic melodies materialize out of Kate’s musical arrangements, her songbird voice complimented by a rich rock ‘n’ roll bass-line. Alternating between achingly soulful and flippantly funny, Kate’s songwriting combines ranging sonic textures with an anecdotal knack. Her lyrics are novel and rhapsodic, cutting through the clichés and trivia of pop parlance to deliver something honest and truly perceptive. She’s performed at such illustrious venues as The Kennedy Center, The Bowery Ballroom, Lincoln Center, and Carnegie Hall—as well as pretty much every noteworthy club in NYC.

Kate became a New York transplant in 2009, when she enrolled at Manhattan School of Music. Since, she's had the opportunity to collaborate with many of NYC's finest musicians and artists.
Venue Information:
The Bell House
149 7th Street
Brooklyn, New York, 11215
http://www.thebellhouseny.com/