FREE Show with Bodega, The Gotobeds and SAVAK

THE BELL HOUSE 10 YEAR ANNIVERSARY

FREE Show with Bodega, The Gotobeds and SAVAK

Saturday · September 8, 2018

Doors: 7:00 pm / Show: 8:00 pm

Free

This event is all ages

**  Due to unforeseen personal matters, the Hot Snakes have canceled their performance at The Bell House this Saturday, September 8. Refunds will be available at point of purchase.

The show WILL go on as a free event with Bodega, The Gotobeds and SAVAK, starting at 8pm.

Come early to enjoy the free The Gowanus Block Party being held outside of The Bell House from 12pm -9pm.

Bodega
Bodega
With wild minimalism and sharp wit, BODEGA revitalizes the rock and roll vocabulary under the influence of post punk, contemporary pop, hip-hop, kraut rock, and folk-derived narrative songwriting.

With the eyes of filmmakers, Ben Hozie (guitar, vocals) and Nikki Belfiglio (vocals) turn the documentary on themselves, finding the political in the personal. Formerly of prankster rock collective Bodega Bay, known for its outlandish critical stunts, their blend of essay and confession bears witness to the harsh poetry of being human in the digital age.

Joined by Montana Simone (drums), Madison Velding-Vandam (guitar) and Heather Elle(bass), BODEGA are unveiling their debut single, “How Did This Happen ?!,” a standout from their many live shows around New York City. Accompanying the single is a 360-degree interactive video showcasing the band’s unique live performance.
“How Did This Happen ?!” is the first song from BODEGA’s forthcoming debut album due out this summer. It was recorded and produced by Austin Brown (Parquet Courts) on the same Tascam 388 tape machine used for their LP Light Up Gold. It was mixed and mastered by Jonathan Schenke at Dr. Wu’s.
The Gotobeds
The Gotobeds
Hey, what’s this? Well that, my friend, is the newest album from The Gotobeds, entitled Blood // Sugar // Secs // Traffic. It’s their second full-length LP and their first for Sub Pop. Whoa, whoa, please slow down. I’m already completely lost. What you just said sounded like a stream of complete gibberish. Okay, I’ll lay it out for you and if you have any questions could you yell them at me? SOUNDS GOOD. The Gotobeds formed vaguely around 2009 in Pittsburgh and play a mutant strain of rock music that is often filed under punk, indie rock, or 99-cent discount bin. WAIT, THE GOTOBEDS? I HEARD THEY WERE KNUCKLEHEADS! Only if the knuckle is the part of the human body that contains the brains. Much like their previous releases on underground stalwart labels like Mind Cure and 12XU, this new album artfully slips intelligence and experimentation into a dying art form. It’s a harder feat than you’d think.

And sure, their live shows have often been compared to an “all night party where I feared for my life and the lives of everybody in the five block radius,” and their recorded output is akin “to the sonic manifestos of four men deprived of human love and raised on beer and Swell Maps, Mission of Burma, and old Fall records.” But what you get with The Gotobeds, delivered in spades on this album, is smart, noisy rock with just the right amount of stupid.

FAIR ENOUGH. SO HOW’D THIS GET MADE? It was recorded in bursts over several months of 2015 in their friend My War Matt’s basement in Pittsburgh. Unlike previously, the songs were conceived and recorded in blocks, which resulted in a more experimental feel. But this is no chin stroking curate’s egg. You like loud, double guitar leads? OF COURSE I DO. WHO DOESN’T? You’re in luck, because this album is carpeted with em, thanks to Eli Kasan and TFP. On a song like “’Bodies,’” it sounds as if you’ve walked into the biggest Guitar Center, but, you know, not terrible. Keeping it all locked down is the rhythm section of drummer, Cary Belback and bassist, Gavin Jensen. They allow the downright prettiness of a song like “Red Alphabet” to shine, and the lyrics on the anti-sexism thrash of “Crisis Time” to punch through.

THIS ALL SOUNDS WONDERFUL, IS THERE ANYTHING ELSE I NEED TO CARE ABOUT? Eh, probably not. Except that Tim Midyett (Silkworm, Bottomless Pit, Mint Mile) and some bum (Protomartyr) are featured as guest vocalists on “Rope” and “Why’d You,” respectively. Also, I’d be remiss to not mention the fact that the band’s live show is a testament to the cathartic nature of speed, skill, repetition, noise, and red stage lights. If you don’t believe me, ask the bands they have played with, like Total Control, Tyvek, or The Replacements. Also, they rep Pittsburgh harder than anyone possibly could and come off better for it…which is saying something.

I THINK I UNDERSTAND. BLOOD // SUGAR // SECS // TRAFFIC IS THE GREATEST ALBUM SINCE THE LAST GOTOBEDS RECORD? Yes. Now please stop yelling.
SAVAK
SAVAK
Beg Your Pardon is the third album in as many years from Brooklyn-based rock’n’roll band SAVAK, formed in 2015 by members of The Obits, Holy Fuck, The Cops and Nation of Ulysses.

The new album follows a compelling progression from their past releases—equally the most punk rock and sublime record in their repertoire. Beg Your Pardon features everything from noisy careeners and ‘80s hardcore nods to slightly glammy stompers and straight-up, New Zealand-inspired, guitar-pop songs (and that’s just in the first 10 minutes of side one).

The band recorded and produced Beg Your Pardon themselves in their Gowanus practice space and then handed off the songs to Mikey Young (Royal Headache, Kelley Stoltz), Geoff Sanoff (Nada Surf, Luna), Ed Ackerman (The Jayhawks, John Wesley Harding) and Matthew Barnhart (Superchunk, METZ) to mix.

Beg Your Pardon will be available worldwide on November 9th, 2018 via Ernest Jenning Record Co. with exclusive vinyl releases by Taken By Surprise Records (Germany), Bang! Records (France), Geenger Records (Croatia), Orangerie (Czech Republic) and Hello Thor Records (UK).
Venue Information:
The Bell House
149 7th Street
Brooklyn, New York, 11215
http://www.thebellhouseny.com/